Mark Zoradi, Cinemark: Thank you, Patty, for all you’ve done. I’m going to fight right by your side to keep my films in the theatrical experience and I’m excited for us to bring back the theatrical industry on the other side of this.
The streaming industry has proven that it wasn’t true that adults didn’t want to go see dramas, and that people didn’t want to go see documentaries. I’d say 80% of the time I go into the theaters, the volume is at a 6 or a 5. Quality of the screens has gone way down. You can have six theaters in town, even in Los Angeles, and they’re all playing the same three movies. In my view, the theatrical industry was always booming and can always be booming if it has diverse content, appeals to all age groups and is a wonderful experience.Īnd in my lifetime, I have watched diversity of content plummet. The truth is, I have thought there was a big misunderstanding of the theatrical industry going on for a long time. It has been very easy for a lot of people to use the pandemic as an argument pro-something that some of the industry was already trying to do, which is day-and-date. Patty Jenkins: I think this is such an interesting period of time because this pandemic struck right when we were at a moment when we were debating this issue anyway.
Ryan Faughnder: How can the theatrical business come back as the studios are experimenting with all these different business models with streaming and premium video-on-demand? Here are some highlights from the conversation, edited for length and clarity. and Canada, which is outstanding for a mainstream movie. Ryan Reynolds’ “Free Guy” fell a mere 29% week-to-week in the U.S. Universal Pictures’ “Candyman” reboot, directed by Nia DaCosta, opened with a better-than-expected $22 million domestically. But as I write this, some movies that aren’t available for streaming are showing signs of life at theaters. She also didn’t spare theaters themselves, which in her view often fail to live up to the romanticized version of the theatrical experience that CinemaCon promotes.īox office has a long way to go in its recovery. She implored studios to stop ceding genres like adult dramas to streaming services. You may occasionally receive promotional content from the Los Angeles Times.īut Jenkins’ message for Hollywood was a broader appeal for studios and theaters to bring massive audiences back to cinemas. We need to find a time, and we need to work collectively, and this is with the studios, to get a release schedule that we can rely on, we can bank on.The Wide Shot brings you news, analysis and insights on everything from streaming wars to production - and what it all means for the future. “The difficult part is, ‘when is it all going to end?’ January, February, March, November, December, no one knows,” said Richards.
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He described last week’s “No Time To Die” postponement as a “body blow” that “no one saw coming,” and that the sector is now regrouping and “trying to work out how to get through this period.”
Richards said that the exhibition industry had been investing heavily in upgrades and refurbishments during the lockdown in the hope of a regular supply of product. And so we’re encouraging him that all the safe steps he’s taken to protect the consumers out there, we’re taking equal to more steps in protecting them and we are hoping that he’ll allow the theaters to reopen.” “It’s not just in the U.S., it’s a worldwide issue.
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“I think he’s starting to understand that his decision is impacting the movie industry worldwide,” said Rodriguez. National Association of Theaters has been in discussions with Governor Cuomo for months now and has impressed upon him all the safety measures taken by them, including the CinemaSafe initiative. “We’re going to try and stay open for long as we possibly can.” Richards also said, citing a UCL study, that going to cinemas are good for mental well-being, particularly during difficult times like now.
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